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Vol 38 No 1 Spring 2000

OLYMPIC ISSUE

EDITORIAL by Laura Murray Cree p. 2

COMMENTARY

SURPRISE AND ENGAGEMENT – PERTH INTERNATIONAL ARTS FESTIVAL 2000 by Ted Snell p. 57

FLUXUS IN GERMANY 1962–1994 – A LONG TALE WITH MANY KNOTS by Jacqueline Strecker p. 60

SCULPTURE BY THE SEA – CONTEMPORARY ART FROM BONDI TO TAMARAMA by Dinah Dysart p. 63

DRUSILLA MODJESKA’S STRAVINSKY’S LUNCH by Mary Eagle p. 65

ARTIST’S CHOICE – ROBYN BACKEN’S THE ARCHAEOLOGY OF BATHING by Joan Brassil p. 72

TRIBUTES

ANITA AARONS by Leon Paroissien p. 67

REINIS ZUSTERS by Paul McGillick p. 68

DAVID MALANGI by Djon Mundine p. 69

JOHN DAVIS by Robert Lindsay p. 70

AKIO MAKIGAWA by Gene Sherman p. 71

ESSAYS

COVERING GROUND – THE CORPOREALITY OF LANDSCAPE by Hetti Perkins and Hannah Fink p. 74

IMMERSION AND DISTRACTION – THE ENVIRONMENTAL WORKS OF JANET LAURENCE by Susan Best p. 84

AT HOME – ALEKS DANKO by Daniel Thomas p. 92

PETER KENNEDY – BREAKING DOWN THE BARRIERS by Nancy Underhill p. 98

ANIMAL MAGNETISM – THE ENIGMATIC SIGNIFIER AND LYNNE ROBERTS-GOODWIN by Charles Green p. 104

GOING TO EXTREMES – GARY SILK PHOTOGRAPHER by Gael Newton p. 112

OLYMPIAN BODIES AND CINEMATIC SPECTACLE – NORMAN LINDSAY by Jeanette Hoorn p. 118

ART MARKET

THROUGH THE LOOKING GLASS – THE COLLECTION OF ETTA AND MANNY HIRSCH by Clay Lucas p. 128

MELBOURNE ARTFAIR 2000 by Simeon Kronenberg p. 132

SALESROOM – NEW MILLENNIUM HERALDS GLOBAL ART MARKET by Terry Ingram p. 134

GALLERY – PUBLIC ART PROJECTS AT OLYMPIC PARK p. 138

REVIEW

Doreen Mellor on BEYOND THE PALE - Adelaide Biennial of Australian Art p. 175

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